Our Work

Joker – Warner Brothers
Provided workstations for five artists, a dailies review workstation, and network storage and security infrastructure for entire production. Built new tools and expanded upon existing Shotgun Studio toolset. Complied with Warner Brothers content security in an off-lot setting.

Escape Room and Goosebumps 2 – Sony
Provided workstations for five artists, a dailies review workstation, and network storage and infrastructure for both shows. Also provided Shotgun-based pipeline for artist shot tracking.

The Spy Who Dumped Me – Lionsgate
Provided artist workstations, network storage, infrastructure, and a Shotgun pipeline.

Warcraft, Spectral, and The Great Wall – Legendary
Built system to accommodate five VFX artists, and multiple shows for the same studio, which included an 80-core render farm.

Maleficent – Disney
Using a system design by Visual Effects Supervisor Carey Villegas, and with assistance from Digital Asset Manager Scott Fritzshall, built a custom transcoding solution to convert ARRI Raw and Phantom footage to DPX files for vendor use, effectively automating turnovers. Built out a system to accommodate nine VFX artists, including both Nuke and Flame, which included a 20-node render farm.

Iron Man 3 – Marvel Studios
Created a custom application to manage witness camera footage. Created a searchable database of all witness camera footage, including time code, shoot day, and unit. Application allowed an editor to import an EDL, and export transcoded imagery for each timecode match, for easy delivery to VFX vendors.

capital T – VFX Facility, Lahaina, HI
Responsible for support and maintenance of boutique VFX facility, which is MPAA/Marvel compliant.